For this reason, I wanted to study a process of breakdown of the video itself (through a Datamoshing process). When our very last photo disappears, it is like we physically never existed.īased on this perspective, also my short film could be forgotten, destroyed or lost in time. I was fascinated by the ironic contrast that firmly links importance and irrelevance of a memory. Through ‘In Memory Of’ I wanted to deal precisely with this emotional ambiguity related to oblivion. These often represent our last testimony of time on Earth, but nevertheless they are sold at very low prices with no sentimental value. "Going around flea markets, it is easy to find old photos. In memory of those who no longer exist, neither as a face, nor in our memories, nor in a short film. Oblivion gradually consumes everything, destroying every possible illusion of eternity.
How does a fading memory look like? A forgotten person faces the material disappearance of what it passed.
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